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קדם מגבר לפטיפון
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Phono 1.7
MM/MC פונוסטייג׳
הי אנד במחיר באדג'ט
Input 1: MM 5mV, 47KΩ, 44db |
Input 2: MC 0.25mV, 1 to 200Ω, 68 db |
unit: 130 x 75 x 230mm / 1.6 Kg |
ps: 110 x 60 x 130mm / 1.6 Kg |
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Opus 2
הי אנד קצה MM/MC פונוסטייג׳
אולטרה הי אנד במחיר הי אנד
Ballaned 21db |
Unballaned 15db |
445 x 150 x 360 |
19 Kg |
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RS-30EQ
MM פונוסטייג׳
הי אנד במחיר באדג'ט
Tubes | | JAN 12AT7A (G.E.) X 2 6X5GT (G.E.) X 1 |
Gain | | 23.5dB |
RIAA Curve | | Less than +/0.2% |
Input Impedance | | 47KΩ(Normal) |
Max. Input | | 400mV (2KHz.) |
Output | | 175mV |
Power Consumption | | 17W |
Weight | | 6.0 kg |
Dimensions | | 340(W) x 140(H) x 240(D) mm |
ביקורות
Exceptionally well-made amp.
Stereophile, November 2011 (Art Dudley)
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The Leben RS-30EQ phono preamplifier is really something special, and a stone-cold bargain...
Possitive Feedback, Issue 43 (Jeff Day)
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Andros Allasso Step Up Transformer
סטפ-אפ טרנספורמר מעולה, הוורסטילי ביותר בשוק לניצול מירבי של ראשים מסוג MM ו MC.
ארבעים מצבים לתמיכה נוחה ומדוייקת במגוון ראשים רחב Very Low to Very High
תומך במצב מונו \ סטריאו
כיוונון תוך כדי נגינה, ללא פאקים ובומים
שני מחברים לאדמה ושני מפסקי אדמה לשקט מכסימלי
בנוי מרכיבים ברמה גבוהה מאוד
עבודת יד, מיוצר בארה"ב
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Andros II
MM/MC פונוסטייג׳
- Separate MM and MC inputs
- MM/MC switch
- MM impedance 47KΩ
- MM capacitance 100pf
- MC Unbalanced ground isolated RCA or Balanced XLR3F
- MC ground on/off switch
- MC load impedance adjustable 1000, 400, 200, 100, 50, 40, 30, 20Ω
- MC Internal step up transformers
- MC High/Low switch with -10 dB gain for high output MC cartridges
- Gain MM input 45dB
- Gain MC input 65dB
- Noise - 75dBu
- Frequency response complies with the original RIAA curve within +or- 0.5 dB
- RIAA curve is achieved using a passive filter
- 1% metal film resisters throughout
- Polypropylene capacitors throughout the audio path
- Dimensions 17" W X 12" D X 5" H
- Weight 20 lbs.
- 16 gauge steel enclosure
- Award winning Isonode anti-vibration feet
- Two year limited warranty
- Six months warranty on Vacuum Tubes
ביקורות
Superb stereo separation and imaging
Big, full, open sound on live recordings.
The Andros PS1 was very quiet. In fact, it made the solid state ASR appear to have a bad case of tube rush by comparison. Stereo
separation was also quite spectacular.
The sound of the entire Catch Bull at Four LP ... was nothing short of spectacular.
Superb dynamics, holographic imagery, and ability to cleanly and clearly deliver highly complex passages without losing its composure.
I recommend the Zesto Audio PS1 without reservation.
Dagogo 2012 (Ray Seda)
The Andros PS1 has a tonal correctness that becomes more evident as the hours go by. There is a sense of flow, with notes flowing up
and out of the presentation, distinctly rendered. Oboes sound like oboes, not squawky and violins sound natural, not squeaky or harsh.
The soundfield produced by this phonostage is humungous and it helps to make the speakers disappear that much easier."
Comparing the Andros PS1 to a few higher priced phonostages (the ARC REF Phono 2, Pass XP-25 and Sim 810LP) and a few lower (Manley Chinook, EAR 834P and Sim 310LP) reinforce that the pricing of this unit is indeed spot on.
After a solid month of intense audition, the Zesto Andros PS1 exhibits no weaknesses whatsoever.
TONE Audio (Jeff Dorgay)
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כיוונון נוח במיוחד לכל סוגי הראשים
MC Low Output ועד MM החל מ
It’s one of the loveliest-sounding electronic components I’ve ever
had the pleasure of reviewing. Almost miraculously, it seems to
exhibit virtually no discernable electro‑mechanical artifacts.
Its sound is unbelievably smooth and velvety; harmonically rich, full,
and vividly textured; marvelously rounded, tactile, and dimensional,
with great body and solidity; and completely natural in its musicality
and freedom from any of the usual sonic hype, audiophile style.
There is also an extraordinary homogeneity to the presentation...
The Absolute Sound 2012 (Paul Seydor)
All three Stereomojo reviewers agree: The Andros Phonostage,
made in the USA by new company Zesto, is a remarkable achievement
both in terms of absolute performance as well as artistic form and
function. If you have a significant investment in vinyl and an
analog front end that merits the best of the best phono preamps,
you should by all means audition the Zesto Andros. At its price,
its performance competes with much more expensive units. In
appearance and sexiness, there’s nothing that comes close.
Stereo Mojo (Peshkin, Richardson, Fritz)



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Andros Deluxe
פונוסטייג' MM/MC
שילוב של דגם Andros עם דגם הקצה Téssera
דואל מונו
מעגל הארקה מיוחד
נורות יציאה 12DW7
סטפ-אפ MC איכותי במיוחד
ועוד
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Andros Téssera
הי אנד קצה MM/MC פונוסטייג׳
פונוסטייג' ורסטילי ביותר המתאים לסוגים שונים של ראשים
דואל מונו מלא - שני ערוצי הגברה נפרדים לחלוטין
תומך בארבע זרועות
מעגל נורות מלא ללא טרנזיסורים כלל
מפסקי אדמה למניעה של ground loop
ביקורות
Out of the box, the Andros Téssera produced luscious mids that immediately dominated the music,
producing in that region a glorious, golden, airy sound...
It's among the more enjoyable and satisfying phono preamplifiers I've auditioned at any price.
Stereophile 2017 (Michael Fremer)
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LP2.1 Regular & Deluxe
MM/MC פונוסטייג׳
Upgrades and modifications in comparison to the LP2:
- introduction of many technical solutions that
had been implemented in the LP1 Signature (just
like the ML2.2 single-ended power amplifier
derived many of its technical solutions from
the ML3 Signature power amplifier);
- introduction of the new tubes: 6C3P and 6C45P-E (same
tubes that used in the LP1 Signature phono
preamplifier), and corresponding adjustments
in the circuitry;
- significantly reduced output impedance;
- new parts that had been developed by various
manufacturers since the introduction of the LP2;
- new pc-board material
- super low noise power transformer
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LP1 Signature
הי אנד קצה MM/MC פונוסטייג׳
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Phono Vorstufe
הי אנד גבוה במחיר הי אנד
קדם מגבר לפטיפון
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Phono Reference HD
הי אנד גבוה במחיר הי אנד
קדם מגבר לפטיפון
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Phono RG7 Reference
קדם מגבר לפטיפון
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Renaissance Phonostage
הי אנד MM/MC פונוסטייג׳
Derived from the cost-no-object, award-winning Statement Phono Stage.
Six twin triode tube stages responsible for the principal ampli cation of the phono signal and RIAA equalization.
Dual mono recti cation, ltering, decoupling, and energy storage is provided in the external power supply and in the audio chassis for spacious imaging, incredible detail, and full range impact. The new chassis design greatly improves EM shielding, with results more similar to the Statement than to earlier VAC preamplifiers.
Three inputs are provided on premium Cardas rhodium RCA jacks. Front panel controls allow you to customize the gain and both MM and MC cartridge loading. You can even select a mono mode to optimize noise and resolution with non- stereophonic recordings.
Compare the Renaissance Phono Stage with others costing many times more, even up to $30,000 or more. Hear your treasured recordings come to life, and we’ll soon be welcoming you to the VAC family.
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Statement Phonostage
הי אנד קצה MM/MC פונוסטייג׳
הי אנד קצה
Cost No Object phonostage
This VAC Statement dual mono triode vacuum tube phono (MM/MC, three gain modes, adjustable load, stereo/mono operation) preamplifier is designed for extreme applications.
On the back panel there are two DC umbilical cords and large Amphenol aerospace connectors, a reminder of the massive dual mono power supply. There are inputs for four independent phone sources. In addition, each input may be of the conventional single-ended type or may be fully balanced.
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ATH-3
MC סטפ-אפ טרנספורמר לראש
Input | | 3 channels |
Impedance | | (2Ω, 40Ω & bypass) |
Frequency response | | 15 - 50,000Hz (-1dB) |
Dimensions | | 240(W) x 180(D) x 70(H)mm |
Weight | | 2.8kg |
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ATE-2
MM/MC פונוסטייג׳
Valves | | 3 12AX7(ECC83) × 3, 12BH7A × 1 EF86(6267) × 1, 6922 × 2, 6X4(EZ90) × 1 |
Phono input | | 2 channels) |
Line input | | 1 channel |
Mode | | stereo/mono selector |
EQ output | | direct/buffered (2 channels) |
Dimensions | | 405(W) × 330(D) × 145(H)mm |
Weight | | 12kg |
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ATE-2001
הי אנד קצה MM/MC פונוסטייג׳
Valves | | 6X4 × 1, EF86 × 1, 12BH7 × 1, 12AX7 × 3, 6922 × 2 |
Output voltage | | rated 2V, max. 20V |
Output impedance | | less than 2KΩ |
THD | | less than 0.08%(2V, 1kHz) |
Input sensitivity | | 47KΩ(phono), 100KΩ(line) |
S/N raitio(IHF-A) | | phono; more than 78d; line; more than 97dB |
Power supply | | 400(W) × 320(D) ×140(H)mm |
Weight | | 8.5kgs(amp section), 9kgs(power supply) |
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RPS 100 Phono
הי אנד קצה MM/MC פונוסטייג׳
ממשק משתמש מתוחכם ונוח מאוד לשימוש
Inputs | 2 x RCA, 1 x XLR, other bespoke combinations possible to order. |
Output | 1 x RCA |
Gain | MM 40dB, MC 68dB (independently selectable for each input) |
Matching | 50/100/250/500/1000 Ohm (independently selectable for each input) |
EQ curves | RIAA, EMI, DECCA, MERCURY, COLUMBIA (independently selectable for each input) |
Phase | Normal/inverted (independently selectable for each input) |
Display | on/off |
Operation |
via the 6 front-mounted buttons. Settings for input, gain and matching are retained in memory after powering down the unit.
MM capacitance can be selected from inside the unit: 47pF, 100pF, 150pF, 200pF, 250pF, 300pF. |
Valves | 2x 12AX7, 2x 6922. |
Dimensions | w/h/d 300x140x345mm; separate power supply 170x140x345mm |
Chassis construction | Fascia and sides 15mm aluminium, top plate, baseplate, backplate 6mm aluminium |
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Bellari vp129
קדם מגבר לפטיפון מנורתי עם מגבר אוזניות פנימי.
מתאים לשימוש עם ראשים MM ו MC בעלי יציאה גבוהה.
מתוכנן להגביר אות RAIAA לעוצמה גבוהה.
מכיוון שהמעגל עושה שימוש במנורה כרכיב ההגברה התוצאה הסופית יותר
חמה ומוסיקלית מפונוסטייג' טרנזיסטורי.
איכות מעולה למחירו, מיוצר בארה"ב
The Bellari seemed to create a sound that was rich natural and appealing.
Surface noise was low, and the music emerged from a crisp quiet background.
It was an excellent sound by almost any standards; one I was very happy to
listen to. The bane of cheap vinyl reproduction is excessive
brightness/harshness. The Bellari sounded focussed and articulate, but
rich and warm too - with an attractively full bass and sweet open mid-band.
- Jimmy Hughes, Hi-Fi + Issue 37
Features:
- RIAA Equalization
- All tube circuitry
- Switchable Rumble Filter
- Mute Switch
- Headphone Output w/variable level control
- Steel Chassis
Specifications:
- Input Sensitivity: 30 dB gain
- Input Impedance: 50KΩ
- Output Impedance: 8Ω Headphone, 100Ω RCA
- Max Output Level: >10dB @ 1kHz at .1% dist.
- Equalization: RIAA +/- 1.5 dB, 20Hz to 20kHz
- Rumble Filter: 20Hz
- THD .02% @ 1KHz
- S/N Ratio: >80 dB unweighted
- PWR: 12 - 18 VDC
- Size: W6 x H2.5 x D5.4 in.
- Weight: 1 lb.
- Indicator: 1 Power LED
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The versatile [Bellari] VP129 looks great, and it sounded
as good as it looks. It was quiet, and golden-sweet and liquid
in the midrange, as you’d expect from a 12AX7-based phono
preamp. I wasn’t expecting its top end to be so nicely extended,
fast, and clean, or its bass to be so snappy, articulate, and
extended. Every type of music I played through the surprising
little Bellari sounded full-bodied and rich, yet detailed and
crisply rendered. The Bellari VP129 gets my highest
recommendation, and is the budget phono preamp I will now
recommend for every genre of music…get a Bellari and a budget
turntable, and I promise that your CDs will start to gather dust!
- Michael Fremer, Stereophile, February 2006
"The Bargain of a Lifetime Tube Phono Stage.
For (this price), the Bellari Tube Phonostage offers warm
musical sound and may be just what the doctor ordered for
those who want to get into analog without loading up the
credit card.
–The Absolute Sound, January 2006
I was surprised by how attractive and well balanced it sounded:
smooth and warm, yet open and crisply detailed. The Bellari
seemed to create a sound that was rich, natural and appealing.
Surface noise was low, and the music emerged from a crisp,
clean, quiet background. It was an excellent sound by almost
any standards; one I was very happy to listen to.
An excellent performer at a very reasonable price!
- Jimmy Hughes, HiFi+, Issue #38
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